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Lengthening the Life of Film 


(The following article was written hy 
Paul N. Robins of Permafilm, Inc. It first 
appeared in the December 1957 issue of 
the Journal of the Society of Motion Pic- 
ture and Television Engineers. It is here 
reprinted with permission of that publica- 
tion and with permission of the author. 

this issue of the Bulletin went to 
press, Permafilm had just been adopted 
by M-G-M. Others makmg use of it in- 
clude Revue Productions, National Tele- 
film Associates, National Broadcasting 
Company, ABC Film Syndication, Official 
Films, Television Programs of America, 
Hollywood Television Service, Consoli- 
dated Film Laboratories, Pathe Labora- 
tories and Army Pictorial Center.) 


T he mounting cost of film damage is a 
matter of immediate financial concern 
to those in the motion-picture and tele- 
vision industry. While a portion of this 
damage can be attributed to poor or care- 
less projection, or to dirty projectors, an 
extensive study of the problem indicates 
that no small part of this damage stems 
from the chemical and physical charac- 
teristics of the film. The damages in- 
clude scratched emulsion, torn or broken 
sprockets, brittleness, warping or curling. 
In the author’s opinion, it is the fragile 
emulsion, and not the film base, which 
contributes most substantially to the film 
damage which ensues, and it is the varia- 
tion in the moisture content of the gelatin 
which is the root of this problem. 

A study of the problem of moisture con- 
tent has been conducted over many years 
with the aim of finding a solution or an 
alleviation for this type of damage. The 
results of many experiments positively in- 
dicate that excessive moisture in the gela- 


tin is the cause of “green” film chattering 
and that it is also the cause of gelatin 
deposit in the aperture plate. This deposit 
builds up, burns, and is baked to a hard 
point which scratches the film. 

Probably more damaging than exces- 
sive moisture is the reduction or elimina- 
tion of moisture in the emulsion which 
takes place when the film is kept in a dry 
atmosphere or when it is subjected to a 
high temperature such as that at the aper- 
ture plate in the projector. The decrease 
in moisture content has a tendency to 
shrink the gelatin. This produces a dif- 
ferential between the dimensions of the 
base and that of the emulsion and a con- 
sequent warping and curling of the film 
which causes distorted focus and un- 
smooth projection. This dried-out emul- 
sion also causes brittleness. 

It has been recognized that the loss of 
moisture has contributed, in many cases, 
to shrinkage of the picture negative, as 
well as the soundtrack, causing “motor 
boat” and background noises in the posi- 
tive prints. 

After years of experimentation and 
many field tests, a product has been de- 
veloped which radically reduces the vari- 
ous kinds of film damage which can be 
traced to the variation of the moisture 
content. This product, Permafilm, is com- 
posed of selected nonvolatile organic 
compounds dissolved in suitable volatile 
solvents and contains an antistatic agent. 
It is nonflammable, substantially non- 
toxic, contains no formaldehyde or other 
gelatin hardeners, and is not a lacquer 
or a coating. 

Method of Using Compound 

This compound is applied to the emul- 
sion side of the film, before or after 
exposure, or before or after developing. 


but in every instance the film must be 
dry at the time of application. The vola- 
tile portions of the compound evaporate 
rapidly, usually in less than a minute. 
During this time certain of the nonvola- 
tile components penetrate and impreg- 
nate the emulsion, replacing a portion 
of the moisture in the emulsion while 
consistently performing the functions of 
the replaced moisture. The emulsion be- 
comes tough and resilient, with excellent 
scratch resistance, rather than becoming 
brittle, as happens when formaldehyde 
or other chemicals are employed for 
hardening the emulsion. The nonvolatile 
materials remain in the emulsion perma- 
nently and it becomes seasoned and 
toughened with permanent pliability. 
There is no change in the photographic 
or reproduction quality of the emulsion. 

In the continuous motion-picture film 
developing machine the compound is ap- 
plied to the emulsion side of the film 
near the end of the drying cabinet by 
passing it over a fabric-covered applica- 
tor roller and rotating it in a constant- 
level bath of the fluid at a speed of about 
3 rpm. Only the under part of the roller 
dips in the fluid. 

Special machines have been developed 
to treat films with the compound as a 
separate operation (Fig. 1). Since these 
machines treat used film as well as new 
film, they were designed to first clean all 
foreign matter from the film, treat it by 
impregnating the compound into the 
emulsion and then to give the base side 
a high polish with a specially impreg- 
nated roller to increase slippage and 
reduce the likelihood of base scratches. 
These specially designed machines feed 
the film at variable speeds up to 800 
ft/min and a necessary drying space has 
been provided for the maximum speed. 

The antistatic agent in the compound 
stays on the surface while the solids im- 
pregnate the emulsion. Because of this, 
the antistatic agent can be washed off 
with carbon tetrachloride, and in the case 
of the application on undeveloped film, 
the developing baths wash off or eliminate 
the antistatic agent which must be sub- 
sequently renewed. However, the com- 
pound itself which is impregnated into 
the emulsion cannot be washed off with 
carbon tetrachloride or other cleaners nor 
can it be removed by the developing 
baths. Proof of this can be shown by the 
use of a scratch test (Fig. 2) outlined on 
the next page, before and after the de- 
veloping bath on the impregnated film. 

Further studies over the years showed 
that fading of color in film could be sub- 
stantially retarded by impregnation of 
the emulsion layer with these organic 
chemicals which also have a tendency to 
stabilize the dyes. 

With moisture variation or loss no 
longer a hazard, brittleness, suscepti- 
bility to scratches and abrasions, shrink- 
age, color fading, and all other forms of 
film damage normally induced by mois- 
ture, are reduced to a negligible minimum. 
In tropical and damp areas, the growth of 
fungus and mold is inhibited by the im- 
pregnation of the emulsion. 

Users of magnetic stripe have found a 
better adherence of the striping on film 
treated with this new compound; this 
is probably due to the reduction of the 



Fig. 1. Machine arrangamant for cleaning film and impregnating emulsion with Permafilm compound. 


30 


I.A.T.S.E. OFFICIAL BULLETIN 




Fig. 2. Upper left: scratch test showing 4-ox weight placed on nail (see upper left, with 52 ox of weight concentrated on nail drawn across; lower 

insert) drawn across untreated film; lower left: emulsion on untreated film right: after scratch test at upper right, emulsion is intact, 

completely removed down to base; upper right: same scratch test as at 


moisture in the emulsion that makes it a 
better base for the adherence of the strip- 
ing. Attempts to rejuvenate old shrunken 
films and negatives by rehumidification, 
in effect swelling shrunken emulsion back 
to its original size, have not always been 
successful. The reason is that the newly 
introduced moisture in the swollen emul- 
sion has a tendency to disappear very 
shortly thereafter. By impregnating the 
rehumidified or swollen gelatin with the 
compound, which remains there perma- 
nently, the shrinkage does not recur, 
demonstrating that the solids are really 
impregnated into the emulsion and have 
become a permanent part of it. The full 
benefits of the treatment are obtained 
after a seasoning period of three or four 
hours. 

A survey of chronic film damage, which 
included a canvass of the larger TV film 
distributors, revealed that the average 
print life was only five or six projections 
before the distributor was compelled to 
discard a print because of its poor con- 
dition. Careful tests of films treated with 
this compound were made and the records 
kept by the distributors themselves, and 
under all field conditions combined ex- 
periences showed such prints to have 
double the life they would formerly have 
had. 

In the face of mounting printing costs, 
this compound would appear to offer to 
the film user a method of reducing those 
costs by lengthening the serviceable life 
of the film. 

Among the tests used to assess the 
effectiveness of the process were scratch 
tests and a color test described below. 

T ests 

Sicratch Test No. 1. Two newly de- 
veloped 35mm films were taped down 
alongside each other on a glass surface. 
One of them was untreated and the other 
piece of film had been treated four hours 
previously with Permafilm. A thin piece 
of plywood, through which a blunt nail 


had been run (for the purpose of dupli- 
cating this test, the point should not be 
sharp like a diamond but should be rather 
blunt to simulate a fine rounded ball), 
and bearing a 4-oz weight, was drawn 
lengthwise across the emulsion side of 
the untreated film. The emulsion was 
scratched down to the base. The opera- 
tion was repeated on the treated film and 
the weight increased 4 oz at a time until 
a scratch really appeared in the emulsion 
of the treated film. The weight was about 
eight to ten times that sufficient to scratch 
the untreated film. Although a slight 
mark appeared on the treated film during 
this operation, it was a polishing action 
and not a removal of the emulsion nor 
did it show in projection. 

Scratch Test No. 2. The above operation 
was tried before and after the film was 
placed in the developing baths. The re- 
sults were the same. 

Color Test No. 3. A 5000-candlepower 
incandescent light was placed about 18 
inches above two color slides, one slide 
treated with Permafilm, the other un- 
treated. Under observation after 15 min- 
utes the untreated slide showed consider- 
able fading, the treated showed no fading. 

The test was continued for another 20 
minutes. The untreated slide showed 
much more fading while the treated one 
showed no fading. 

The test then had to be discontinued 
because the considerable heat caused the 
slides to smoke. 

Case Histories 

(1) The Film Syndication Division of 
a television network concerned with the 
mounting film damage and rising replace- 
ment print costs decided to make a 
careful survey of four protective methods. 
Two hundred prints were given this 
treatment and a like amount were treated 
by each of three other methods. Records 
were kept of the condition of each print 
after each booking. After a six months 
test, the examination of the records 


covering hundreds of prints and thou- 
sands of bookings revealed that the prints 
were capable of no less than twice as 
many projections under the same con- 
ditions as prints treated with other 
methods, or those untreated. Other dis- 
tributors report up to three times as 
many projections on the average. 

(2) A very large New York laboratory, 
after six months of experimentation, 
equipped its developing machines to im- 
pregnate its 16mm and 35mm dupe 
negatives with this treatment. It was 
found that, in production or processing, 
scratches and abrasions were reduced to 
a minimum which appreciably decreased 
expensive replacement footage costs. Al- 
though the experiments have not been 
completed, a preliminary report shows 
that most duplicate negatives treated 
with this compound yield two to three 
times as many positive prints as were 
previously obtained from untreated du- 
plicate negatives. 

(3) A report by a large West Coast 
laboratory after extensive tests on dupli- 
cate negatives states: “Our scratch and 
abrasion problems are now a thing of the 
past throughout our entire plant where 
this treatment is presently in use for 
protecting negatives.” 


Five More Locals Cited 
For Donations to COPE 

As reported in the Winter issue of the 
Bulletin, 33 locals of the Alliance had by 
that time received Honor Award Certifi- 
cates from the AFL-CIO Committee on 
Political Education, recognizing individ- 
ual COPE contributions equalling one dol- 
lar per member. 

Since the Winter issue went to press, 
COPE awards had been received by five 
more I. A. locals: No. 20, St. Paul, Minn.; 
47, Pueblo, Colo.; 110, Chicago, 111.; 320, 
Savannah, Ga., and 608, Boulder, Colo. 


31 




.THE BOARD OF PUBLIC INSTRUCTION 


OFFICE OF 

ROBERT W. FULTON 
COUNTY SUPERINTENDENT 

Telephone 083-0050 


OF PALM BEACH COUNTY, FLORIDA 

ADMINISTRATIVE ANNEX BUILDINGS S-B01 AND S-B02 

Sixth Street North 

WEST PALM BEACH, FLORIDA 33401 
June 20 , 1967 


LOUIS B. BILLS 

CHAIRMAN 

ROBERT R. JOHNSON 
VICE CHAIRMAN 

DR. A. D. THORP 
JAMES R. BRANCH. JR. 
JAMES E. WILLIAMS 


Permafilm Corp* of Florida Inc* 
Mr. Edward Galliers 
137 S.E, I5th Avenue 
Boynton Beach, Florida 


Dear Mr. Galliers, 

Just a personal note to express my appreciation 
for your prompt and efficient service in cleaning, 
Permafilm and Perma-New treatment of our films 
for the last two years. 

The results of the treatment process has been 
evident in the usefulness of the films. We have 
been able to furnish the schools with a finer 
quality film, which prolonged the life of many 
films that would otherwise have to be replaced. 

We wish to advise that we have recommended the 
continued use of your service for the new films 
we will be purchasing for the next school year* 


Very truly yours, 

AREA MATERIALS CENTER 



Thomas S* Goddard, Manager 




ESTABLISHED ISSO 



United States Testing Company, Inc. 

HOBOKEN, N. J. 07030 

201 - 792-2400 NUMBER 

• 91246 

REPORT (Rdcr Co chit number) 

February 6, 196? 


Client: PERMAFILM INCORPORATED 

257 Park Ave. South 
New York, New York 10010 


Subject: Scratch and abrasion test of treated and untreated l6 mm motion 
picutre film. 

Two reels of l6 mm motion picture film was received at the 
United States Testing Company Inc., and identified by the Client 
as : 


1. Untreated l6 mm movie film, 

2. l6 mm movie film treated with Perma Film Protection. 

Project ; 

The purpose of the test is to shovj, by visual examination, the 
scratch and abrasion resistance superiority of the treated Perma 
film against the untreated film. 

Procedure ; 

The Perma treated film and the untreated film were spliced to make 
a seven and one helf foot loop and projected on a Bell and Howell 
model 302 sound projector. The film loops were run through the 
projector for 300 times. Each film was inspected at the 100, 150 and 
200 cycle mark. 

The projector film gate was cleaned at the start of each film but 
not during the 300 cycle periods. 

After 300 cycles the films were microscopically inspected. 

Results : 


At the 100 cycle mark, scratches or abrasion streaks began to appear 
on the untreated film. The scratches or abrasion marks did not appear 
on the Perma treated film until the 200 cycle period. 


Page 1 of 2 
Superriaed by 

cds 


United States Testify Company, Inc. 



Daniel R. Condon 


OUR LETTERS AND REPORTS ARE FOR THE EXCLUSIVE USB OF THE CLIENT TO WHOM THEY ARE ADDRESSED. AND THEIR COMMUNICATION TO ANY OTHERS, OR 
THE USE OF THE NAME OF UNITED STATES TESTING COMPANY. INC., MUST RECEIVE OUR PRIOR WRITTEN APPROVAL. OUR LETTERS AND REPORTS APPLY ONLY TO 
THE SAMPLE TESTED AND ARE NOT NECESSARILY INDICATIVE OF THE QUALITIES OF APPARENTLY IDENTICAL OR SIMILAR PRODUCTS. SAMPLES NOT DESTROYED 
IN TESTING ARE RETAINED A MAXIMUM OF THIRTY DAYS. THE REPORTS AND LETTERS AND THE NAME OF THE UNITED STATES TESTING COMPANY 
IMC-- ITfl CSPAI « no INIRIGNIA. ARP NOT TO B*r USED UNDER ANY GIRCUM6T* NCES IN ADVERTIEJNC TO THE 



Client: 


United States Testing Company^ Inc. 

Permafllm Incorporated 


Number 

91246 


Examination at the 300 cycle period showed that there was less 
abrasion on the Perma treated film than the untreated film. 
Picture quality of the films projected on the screen revealed 
that the Perma treated film was more clear and had less scratches 
than the untreated projected film. 


Comments : 

From the tests conducted, it is our opinion that the film treated 
with Permafllm helps prevent scratches and abrasion marks and is 
more plyable when run through a motion picture projector. 




O 



MPO VIDEOTRONICS, INC. 


222 EAST 44th STREET • NEW YORK, N.Y. 10017 • TEL. (212) 867-8200 • CABLE "EMPOCORPO, NEW YORK 


August 15^ 1966 


Permaf ilm Incorporated 

79 Fifth Avenue 

New York, N. Y. 10003 


Gentlemen: 


Producing almost $20,000,000 worth of industrial, commercial 
and television films for a great many advertisers, does not 
leave us too much time to do some of the things that we would 
to do. However / we do want to take the time to tell you 
how pleased we and our clients are with the Perma Film Pro- 
tection of their industrial prints. 

Some time ago we became aware of the fact that after a great 
deal of time and money were spent to present the sponsor ' s 
message with maximum effect, this effect was being diminished 
by scratchy prints circulating in the field. 

Since our interest in the advertiser's welfare did not end 
with the delivery of the negative or the prints, we made very 
exhaustive study of all of the film protection methods on the 
market, and their effectiveness. 

For the past three years, as standard procedure, we have had 
all of our sponsored-film release prints treated with Perma 
Film Protection, and we are glad to say that the response 
from our clients has been most enthusiastic. 

We regard Perma Film Protection as one of the major contribu- 
tions to the motion picture industry. 


Sincerely 


MPO VIDEOTRONICS , INC 



NEW YORK / DETROIT / CHICAOO / HOLLYWOOD 



AMERICAN FILM PRODUCTIONS 


v: 


INCORPORATED 




May n , 1 965 


Hr. Paul N. Robins 
Permafilm Incorporated 
79 Fifth Avenue 
New York 3, New York 

Dear Mr. Robins: 

It was very nice seeing you at the SMPTE convention in Los Angeles. My 
conscience has been bothering me ever since, because I never told you what 
a great Job Permafilm had done for us over the past five years. 

As you probably know, we first recognized the Perroa Film Protection when our 
internegatives and dupe negatives were given this treatment by Consolidated 
in Hollywood. These negatives were able to make many more quality prints 
than we were accustomed to getting in the East. As a result, we insisted 
on Perma Film Protection for our printing negatives here in the East as »#ell. 

At one laboratory, for example, the number of quality color prints from one 
internegative jumped from an average of 40 to an average of I80 as soon as 
the system of treating the negatives was started. When you consider the 
fact that this includes negatives which had to be retired because of rips, 
pulled perforatibiiSi; , and damage of that type, you can see what a tremendous 
benefit was involved. Not only did it save cold cash, but it also saved 
all the time required to check answer prints, corrected prints, etc. 

When your Perma New Rejuvenation process came out, we tried that. It was so 
successful that we recommend it regularly to all our clients and customers. 
This treatment is particularly valuable in the case of some of our films; like 
RESCUE BREATHING, WATER RESCUE, POLE TOP RESCUE, etc; which are screened until 
the film literally disintegrates. Since we have used the Perma New Rejuvena- 
tion process for badly scratched prints, we have virtually doubled and tripled 
the number of good screenings available from each print. 

Sincerely yours, 

AMERICAN FILM PRODUCTIONS 



Robert Gross :b 




CLDC 




IBM World Trade Corparation 821 United Nations Plaza, New York 17, N Y. 


Murray Hill 6-4000 


Cable Address: inbusworld 


April 8, 1965 


Mr . Paul Robbins 
Permafilm, Inc. 

79 5th Avenue 

New York 3, New York 

Dear Paul: 

I should like to commend Permafilm for the excellent job your 
people did in restoring our print of ’’The Question Tree”. This 
film was so badly scratched that I was on the verge of having it 
scrapped. I screened it following your rejuvenation process, 
and it is as good as new. 

For your information, I have requested Ted Fogelman at CFI 
to ’’permafilm” all new prints of ours coming out of their lab 
until further notice. 



j G. Damon 
/Activities Manager 


Jame 

Film 

C/ 



ASSOCIATION FILMS, inc 

Established 1911 


Executive OfFices 
347 MADISON AVENUE 


REPRESENTATIVE FILM SPONSORS 

Air Transport Association of America 
Alitalia Airlines 
Aluminum Company of America 
American Airlines, Inc. 

American Bankers Association 
American Crayon Company 
American Dairy Association 
American Dental Association 
American Institute of Certified 
Public Acgountants 

American Mutual Liability Insurance Company 
American Radiator & Standard 
Sanitary Company 
Armour & Company 

Automobile Manufacturers Association 
Avon Products, Inc. 

Baltimore & Ohio Railroad 

Campbell Soup Company 

Cast Iron Soil Pipe Institute 

Chase Manhattan Bank 

Chesapeake & Potomac Telephone Companies 

Committee of American Steamship Lines 

Connecticut Mutual Life Insurance Co. 

Corn Products Company 
Corning Glass Works 
Crane Co. 

DeBeers Consolidated Mines, Ltd. 

Evaporated Milk Association 
Father Flanagan’s Boys’ Home 
Firestone Tire & Rubber Company 
First National City Bank of New York 
Florists’ Telegraph Delivery Association 
Fuller Brush Company 
General Foods Corp. 

German Federal Railroad 
Gulf Oil Corp. 

Hallmark Cards Incorporated 
Hamilton Watch Company 
Hanes Knitting Mills 
Hills Bros. Coffee, Inc. 

Institute of Life Insurance 
International Silver Co. 

Johnson & Johnson 
Kendall Company 
Kendall Refining Co. 

Kimberly-Clark Corporation 
Lincoln Electric Company 
Thomas J. Lipton, Inc. 

Maytag Company 
Metropolitan Life Insurance Co. 

Minnesota Mining & Mfg. Co. 

Montgomery Ward Co. 

National Association of 
Frozen Food Packers 
National Association of 
Investment Companies 
National Biscuit Co. 

National Dairy Council 
National Federation of Coffee Growers 
of Colombia 

National Life Insurance Co. of Vermont 
New England Mutual Life Insurance Co. 

New England Tel. & Tel. Co. 

New York Life Insurance Co. 

New York Telephone Co. 

New York World’s Fair 1964-1965 Corp. 

Ocean Spray Cranberries, Inc. 

J. C. Penney Co., Inc. 

Chas. Pfizer & Co., Inc. 

Power Authority of the 
State of New York 
Processed Apples Institute 
Prudential Insurance Company 
of America 

Quaker Oats Company 
Reed & Barton Silversmiths 
Reynolds Metals Co. 

Schering Corporation 
Seaboard Air Line Railroad 
Sears Roebuck and Co. 

Smith, Kline & French Laboratories 
Society of the Plastics Industry, Inc. 
Southwestern Bell Telephone Co. 

Spreckels Sugar Co. 

E. R. Squibb & Sons 
United Fruit Co. 

United States Steel Corp. 

Worcester Polytechnic Institute 


NEW YORK 17, N. Y. 
MUrray Hill 5-2242 


July n, 1963 


Mr. Paul N. Robins, President 
Permafllm incorporated 
79 Fifth Avenue 
New York 3, New York 

Dear Hr. Robins: 

When an organization like ours distributes over i00,000 prints 
through five branches, to schools, colleges, churches, business 
clubs, and various other groups, we naturally run up against ail 
kinds of film damage. While we take great pride In our film 
maintenance, so that our scores of users will benefit from the 
best possible projection quality, we found some years ago that 
the damage factor was definitely on the Increase, Since this 
necessitated obtaining new prints from our clients, as well as 
keeping prints "on the shelf" inactive, while awaiting replace- 
ment footage. It became apparent to us that some solution would 
have to be found to reduce this damage factor, and keep the cost 
of print distribution down for our clients. 

We made a very exhaustive study and field test under all conditions 
of what was available in the form of film preservation for new 
prints In order to lengthen their lives, and for some satisfactory 
form of film rejuvenation, so that prints which would normally be 
marked for discard, because of poor condition, could be put back 
into profitable service. 

Very careful and voluminous statistics were compiled, and the 
results were so overwhelmingly convincing in favor of your pro- 
cesses, that we applied for a Perma Film Protect! on-Perma New 
Rejuvenation In Plant Franchise, so that we could give all of our 
prints the benefits of your processes right on our premises. We 
then notified our clients of the results of the tests, and left it to 
them to decide if they wished to have us use your processes on 
their prints which we distributed. Their reaction to our sug- 
gestion can be seen in the fact that our Perma FI Im-Perma New equip- 
ment keeps running as much as 24 hours a day, for long stretches. 

Our clients are pleased because they have sharply reduced the cost 
of print distribution, and we are pleased because the Inactive 
prints have been reduced to a minimum. 


NATIONAL AND 

INTERNATIONAL ORGANIZATIONS 

Boy Scouts of America 
Council for Financial Aid to Education 
European Community Information Service 
Girl Scouts of the U.S.A. 

Governmental Affairs Institute 
National Aeronautics & Space 
Administration 
National Board of Y.M.C.A.s 
National Council of Catholic Men 
National Council of the Churches of 
Christ in the U.S.A. 

National Safety Council 
Salvation Army 
UNICEF 


Very sincerely yours, 



Robert D. Mitchell, President 




RIDGEFIELD, N. J. 


LA GRANGE, ILL. • SAN FRANCISCO • DALLAS 



TH^ FILM PRESERVER 



PROTECTION 


CONTAINS 



Lacquer 

Wax 

Formaldehyde 

Silicone 


Perma-Film Protection is Preventive Film Maintenance which needs no renew- 
ing ! It is not a surface treatment which can be washed off with solvents. It is the only 
known treatment which impregnates itself into unexposed emulsion, and which will not 
wash out in the subsequent development bath ! 

Perma-Film Protection is used in twenty-one countries around the world by thousands 
of internationally known film users and governmental agencies such as U. S. Army, Navy, 
Marine Corps, Air Force, Dept, of Health, Education & Welfare, Cape Canaveral Missile 
Base, Metro-Goldwyn-Mayer, Nestle, Sikorsky Aircraft, Rockefeller Institute, and five 
foreign governments, and many photo-finishers and photo-engravers. - 

Reduce your print costs by getting more projections; guard your valuable negatives 
from scratches and brittleness — through Perma-Film protection. 


PERMAFILM, INC 


NEV\ 


723 SEVENTH AVENUE 
NEW YORK 19, N. Y., U.S.A. 

Cable — PERMAFILMS — New York 


257 


ADDRESS & PHOME: 
ARK AVENUE' SOUTH 
NE^YORK, N. Y. lOOlO 
674-570Cf 


A/ffV. AMAZ/m 



SCRATCH REMOVAL 
SYSTEM 


Dr. Lawrence L. Steele, spent six years in the 
development of Perma-New Scratch Removal Sys- 
tem, due to dissatisfaction with other methods of 
film scratch removal which grind down the base 
of the film. 

This is a unique chemical treatment of both the 
emulsion and base sides of scratched film which 
makes most normal scratches invisible when pro- 
jected. It has been widely adopted in twenty-one 
countries around the world. 

You can use Perma-New Scratch Removal System 
to put back into usful life, your scratched prints 
which normally you would have to replace at a 
greater cost. 

Make an inventory of your scratched prints and 
have them Perma-New treated without delay. A 
sample reel will be treated without charge. 


AUTHORIZED FRANCHISERS 


Protects photographic film against 

1. Scratches 

2. Warping or Curling 

3. Brittleness 

4. Adherence of Dust and Dirt 


Perma-Film Protection is a ONE-TIME protective 
treatment of photographic emulsion on negatives 
and positives through impregnation with stable 
organic chemicals which toughen but do not 
harden the emulsion. The preserved, stabilized 
emulsion becomes resilient, permanently pliable, 
and resistant to scratches, abrasions, shrinkage, 
drying out and the other usual forms of damage. 
Storage of film under expensive moisture 
controlled conditions, now becomes unnecessary. 
Anti-static properties of the treatment repel 
dust and dirt. 

Perma-Film Protection should not be confused 
with removable coatings, such as wax, which 
attracts dust; silicones, or lacquers which 
contribute to warping; or formaldehyde hardeners 
which make emulsion brittle. 

The film base receives a high polish with Perma, 
Base chemicals increasing slippage and reducing 
the possibility of base scratches. . 






Issued from time to time by Permafilm Inc., 79 Fifth Ave., New York 3, N. Y., U. S. A. 


Effective Date: May 1, I966 


TREATMENT & SERVICES PRICE LIST 

Positive Prints 16MM MIN , IHV, 35MM MIN . INV , 

PERMAFILM PROTECTION $1.60 per M Ft. $10.00 $2.70 per M Ft. $10.00 

PERMA NEW REJUVENATION — $8.50 per M Ft. $25.00 $13.50 per M Ft. $25.00 

Includes: xJltrasoriic 
Cleaning, Rejuvenation 
of Scratched Base & 

Emulsion plus Lubrication 

PERMAFILM REHUMIDIFICATION' $3.50 per M Ft. $10.00 $6.00 per M Ft. $10.00 

ilncludes: Correction of 

Brittleness % Curl, 

Stabilization of Emulsion, 

Ultrasonic Cleaning & 

Permafilm Protection 


PERMA NEW REHUMIDIFICATION $12.00 per M Ft. $25.00 $17.50 per M Ft. $25.00 

Includes: Correction of 

Brittleness & Curl, 

Ultrasonic Cleaning 
Rejuvenation of Scratched 
Base St Emulsion plus 
Lubrication 

ULTRASONIC FILM CLEANING $1.25 per M Ft. $5.00 $2.00 per M Ft. $5.00 

LUBRICATION ONLY * $1.00 per M Ft. $5.00 $2.00 per M Ft. $5.00 

(Ultrasonic Cleaning will be required for most Lubrication Orders) 


ADDITIONAL RATES 

Master Material — - All Master Material, Negatives, Originals etc., are 

subject to inspection and special rates. 


SERVICE RATES 


INSPECTION & REPAIR 

Detail Inspection - Includes written report and/or Repair and/or Screening 

$8.50 per hour. 

General Inspection - (No Repair or written report) $1.25 per flat or less. 
NOTE All films sent for Perma.New Rejuvenation will be generally inspected 
arid minor repair work (three (3) splices or less) will be made at no addition 
al charge. wQ^RUSH S$ OVERTIME WORK subject to special rates. 

Winner of The Presidential E Award for Excellence in President’s Export Expansion Program